Mandolin is a pretty nice instrument to strum chords with in popular and folk music. Its high pitch sound matches well the guitar and is ideal to jam with your friends. One problem i find learning from "Mandolin Chord Books" is that they present chords in a very abstract way. For that reason i have developed an easy musical solution.
For learning a musical instrument like mandolin, the recourse to repetitive exercises seems inevitable. On the other hand, following recent research, we know full well that this practice is contested. While repetitive exercise may seem desirable in the pursuit of certain learning, in other circumstances it may prove to be very unprofitable if not downright harmful.
This trilogy remains a model for the composition of learning tools. Alison Stephens composed 18 solos for the mandolin, all of them exquisite pieces, in a large variety of styles, that can very well be used as concert pieces. The cool part is that each piece addresses a specific technique but places it in context.
I decided to take classical mandolin lessons online; I subscribed to Caterina Lichtenberg's lessons on Artist Works . I gave myself time to go through the main presentation videos, and then, just like a kid discovering his new textbooks at the school start, I started exploring the site. Here's a glimpse of what I found.
Why bother with mandolin techniques? That is the question…I spent thirty years of my life teaching in high school. I read about everything I could find on the art of teaching. But I must admit that once in a while, some situations still make my jaw drop. Recently, a music teacher told me that almost all of his students were unwilling to play technique works, exercises, scales, etudes, etc. If someone thinks he can cut short his learning by avoiding techniques, he is the perfect candidate to become an early dropout. He will very soon get tired of knocking his head on the wall and will succumb to his limits.
These masters of mandolin are totally devoted to their music, they live for their art, they give all their soul to their public. They both share this essential quality that every major artist should have: generosity. They are beautiful; they smile; they share special moments with the audience; they tell sweet little jokes at the right moment.
Practice with your head and play with your soul. If we play a piece slowly, while placing each finger precisely at the right place on the finger board, striking precisely the two strings of each course with the pick, it helps "awaking" the muscles of the fingers, it also helps to relax the right wrist and to put us in the right mood for a good long daily practice.
On the Internet, even the most demanding music connoisseur has the opportunity to find something that will satisfy his taste. But, unfortunately, the web offers altogether the worst alongside the best. Sometimes, democracy and sheer madness walk hand in hand. Might you be lucky enough, you will find a pearl like this one.
August Watters provides the reader with clear application of mandolin chordal concepts. These exercises are very helpful to understand how pop, jazz, baroque and romantic music progressions are constructed. Most concepts introduced in the book are accompanied by carefully selected and applicable etudes and musical scores. Advanced players will have fun improvising in baroque music, play duo-style arrangements, and discover the split-string technique.
